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The Trench Angel

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2 of 2 copies available
2 of 2 copies available

"In the Somme Valley a British soldier teaches his fellows to hide cigarette coals inside their mouths. Half a world away, a war-ruined photographer drinks in a bar beneath a Colorado butchery, blood dripping from the floorboards into ashtrays. Gutierrez writes with a metaphorical gift and fine hand of an age of war and upheaval where anarchists, coal barons, Pinkertons, corrupt police, broken idealists, and broken families fight to claim history's muddied field. . . . The Trench Angel announces a great new talent set to shine for a long time."—Alexander Parsons, Leaving Disneyland

"Breathes new, vivid life into the old wild west."—Mat Johnson, Pym

"Gutierrez's splendid debut bypasses the archives, whisking us straightaway into the seedy saloons, the twisting back alleys, and the trenches. . . . Like Denis Johnson's Train Dreams, this potent, lyrical novel unspools beyond its own time and lands squarely, unforgettably in our own."—Tim Horvath, Understories

Colorado, 1919. Photographer Neal Stephens, home from the War, is blackmailed by the sheriff over his secret marriage to a black woman in France. When the sheriff is murdered, Neal's investigation calls up memories of the trenches and his search for his dead wife, as he untangles the connections among the murder, the coalminers' strike, and his mysterious anarchist father.

Michael Gutierrez, MFA (fiction) and MA (history), teaches in the Department of English and Comparative Literature at UNC Chapel Hill, and has published in many literary journals. The Trench Angel was a finalist for the James Jones First Novel Fellowship.

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    • Kirkus

      August 1, 2015
      Gutierrez's debut sets the industrialized murder of World War I as backdrop to the murderous industry of coal mining in the American West circa 1919. When Neal Stephens finished school, he left New Sligo, Colorado, for Paris to learn the art of photography. While there, he married Lorraine, an African-American woman; it was a passionate, fractious relationship until Lorraine was killed while both were near the front. As we learn in back story chapters, Neal spent time on the front line as a photographer, then went home to work for the Eagle, New Sligo's newspaper. As with much of everything in town, it belongs to Neal's uncle, Seamus Rahill, owner of Rahill Coal & Electric. At home, Neal becomes mired in a different war. The workers are organizing, but Rahill has hired Pinkertons. Tensions fracture when Clyde O'Leary, a sheriff more interested in blackmail than law enforcement, is murdered. Rumor is the "notorious anarchist" Jesse Stephens, Neal's father and Rahill's brother-in-law, is responsible. While some of the characters intrigue-there's a Confederate general's granddaughter, "a tender girl of 13, lost in a poker game from her father's poor bluff"-the conflict in this dark, complicated narrative is between archetypes: Rahill is a righteous bully, full of pretensions and maudlin conceptions of the family, while Neal is straight out of Hemingway's Lost Generation. The catalyst is Jesse, once one of the Rahill overlords, a man with a bizarre secret history. While Gutierrez draws Paris, the Belgian war-front, and the rough-hewn frontier town with a good eye-"the sun hovered over the Rocky peaks, shading the mountain snow like a bruise"-the novel's unfiltered lens reveals war's cost to the human psyche, the amorality of concentrated wealth, the cancer of racial and ethnic hatred, and the nearly unresolvable conflict between familial loyalty and moral responsibility. By turns lyrical and brutal, Gutierrez stretches an intriguing piece of historical fiction to cover multiple themes.

      COPYRIGHT(2015) Kirkus Reviews, ALL RIGHTS RESERVED.

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  • English

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